our 2023-2024 season world premiere:

Redemption Story

written by Peregrine Teng Heard

directed by Sarah Blush

produced by Shannon Sindelar


INT. DINER - LOS ANGELES, 1971. CONNIE LEE (50s, hardened glamor) drinks coffee, fingers her cigarettes. A MAN (20s, blond and eager) pushes through the door, and Connie does a double-take, then turns away. She's already made the worst mistake of her life, and a fresh face can't fix it. A new play about alienation, conditional love, and our distorted senses of self.

May 4 - 19, 2024

Jeffrey and Paula Gural Theatre

at the A.R.T./New York Theatres

502 West 53 Street, NYC

featuring Christine Toy Johnson*

José Espinosa*

Dee Beasnael

Emily Stout*

Gregory Saint Georges*

and Mitchell Winter*

*appearing courtesy of Actors’ Equity Association

Scenic Designer Emmie Finckel – Costume Designer Dan Wang

Lighting Designer Jiahao (Neil) Qiu – Sound Designer John Gasper

Props Designer Rhys Roffey – Intimacy & Fight Choreographer Amaal Saifudeen

Rehearsal Stage Manager Aisling Galvin – Production Stage Manager Caroline Wilkes

Technical Director jack woods – Associate Producer Kate Purdum

Assistant Producer Benjamin Papac — Press Representation Emily Owens PR

Graphic Designer Nick Emrich

Performance space for this production was subsidized by the A.R.T./New York Theatres Rental Subsidy Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York).


“A superb new solo show. Stout's performance is effortlessly absorbing and hilarious.... Funny, warm, and heartbreaking.”

Thinking Theater

“A generous and piercing view into the experience of losing someone you love, complete with the bleakness, divinity, and strangely hilarious moments that surround death.”

— 3Views on Theater

Actor, writer, and New York’s hottest babysitter Emily Stout passes on to us the verbatim wisdom of Cate (age 9), Lucy (age 8), Wren (age 11), and Vanessa (age 11½)—the children she’s taken care of over the years, and interviewed. As Emily absorbs their perspectives on losing teeth, pets, and loved ones, she reflects on the rollercoaster of her own childhood. Grownup is a hilarious one-woman show centered around how absolutely excruciating it can be to grow up, and what it even means to finally be a grownup.

Director Mary Rose Branick   -   Producer Peregrine Teng Heard

Scenic & projection designer Nicholas Ponting   -   Costume designer Daniella Toscano

Lighting designer Bryan Ealey   -   Sound designer Andrew Lynch

Stage manager Amber Dettmers   -   Technical director jack woods

Associate producer Anne Troup   -   Production manager Jacob Russell


Leftovers A Salon With The Associates

A party-performance to celebrate our sixth season & The Cousinhood !

Featuring Brian Bock, Katharine Chin, and Peregrine Teng Heard

Lighting design by Victoria Bain


The Cousinhood tells the story of a matriarchal religious group guided by love and pacifism in a future America. Beyond the dogma, behind the apocrypha, and within the squabbles of hobbyist reenactors, there lies the elusive core of the Cousins’ faith—and, beneath that, our own desire for meaning.

Furnace Festival workshop directed by Lauren Zeftel

Dramaturg Philip Santos Schaffer   -   Stage manager Emily Fischer

Featuring Janice Amaya, Brian Bock, Jessica Frey, Peregrine Teng Heard, Lindsley Howard, Teri Madonna, Eden Ohayon, and Casey Worthington

In addition to the ensemble of this workshop, the following artists have collaborated with The Associates on The Cousinhood: Rachael Balcanoff, Timothy Craig, Daniel Desmarais, Cyndii Johnson, Nico Krell, Conrad Schott, and Alex Seeley

TheCousinhoodFurnaceFestival

Cousin Convention

Who are the Cousins?
How do we know what we know about them?
And why are they so important to our survival today?

Begin to ask the right questions.
Begin to hear the right answers.

Co-sponsored by
The Society for the Preservation of Cousin History and Culture
and
The Associates Theater Ensemble

Open to all, mandatory for new members.


“Intriguing, suspenseful, beautifully written and brilliantly acted.”

BlogCritics

“Sheila does not disappear after the final curtain—it lingers, requiring time for full absorption. Indeed, the more time passes, the more intricate and beautiful the story becomes.”

Theater Is Easy

September 1987. The edge of town. Gloria opens her door to the woman she hasn’t seen since she disappeared from home ten years ago. Mary sees the face that has haunted her memories of childhood and dreams of womanhood. But the reflection that the women seek in each other is dimmed and distorted by the years of silence. How did they get here? Did one of them take a wrong turn, or were they driven apart?

A thrillingly intimate drama, Sheila pits two women against the world: not to conquer it—to survive it. But what chance do they have to decide the terms of that survival?

Director Jamal Abdunnasir   -   Producer Casey Worthington   

Associate producer Stanley Bahorek   -   Stage manager Emily Fischer

Scenic designer Brittany Vasta   -   Costume designer Isabelle Coler

Lighting designers Victoria Bain & Tyler First   -   Sound designer Mark Van Hare

Props designer Michaela Whiting   

Featuring Peregrine Teng Heard, Lauren LaRocca & Emily Stout

Performance space for this production was subsidized by the A.R.T./New York Theatres Rental Subsidy Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York).

“The world is a subtle experiential concert of design. The staging is smart and clean, leaning into focused specificity and a sophisticated conversation with kinesthetic response. This show is worth a conversation with The Associates.”

— The Reviews Hub


SwankASalonWithTheAssociates

One night only benefit party & performance to launch our fourth season in style.


SayYou'reSorry

say you're sorry: A Salon with The Associates

May 26, 2016

The Great Room at South Oxford Space

Summer is coming, and apologies are in order. For one show only, The Associates perform our latest in mind-bending, surprise-vending theater.

This salon is one to make Gertrude Stein and Andy Warhol proud. You will drink, you will mingle, you will gasp, and you may apologize.


BlackProtagonistbyTheAssociates

Can a person build an identity – white or black – that outsmarts racism? A well-intentioned white man puts his conscience on the page, at the risk of exposing his prejudice and imposing his ideals on his partner. What he writes strands them in a shifting landscape of secrets, fantasies, and shaded identities.

Director Peregrine Teng Heard   –   Dramaturg Ayana Wilson

Scenic designer Sarah Johnsrude  –  Costume designer Beatrice Vena    

Lighting designer Tyler First  –  Sound designer Emily Auciello

Producer Sam Barickman  –  Stage manager Emily Tabachuk  

Featuring Jamal Abdunnasir, Timothy Craig, Peregrine Teng Heard, Lauren LaRocca, Emily Stout, & Casey Worthington

Nominated for Outstanding Original Script by the New York Innovative Theatre Awards

Developed with support from HB Studio's First Floor Studio residency and SPACE on Ryder Farm.


Freesome

What do you want to hear, and what are you willing to watch? The actors invite the audience to imagine what's beyond the scripted drama, nestled in the familiar nooks and crannies of human desire, where the truth is about ten dollars cheaper than a secret divulged.

Presented in F*ckfest at The Brick

Featuring Jamal Abdunnasir, Peregrine Teng Heard, Lauren LaRocca, Emily Stout, & Casey Worthington